issue 16 · 2026-07-24 · for people who make house

The kick trick that actually works

Tonight we’ve got a kick resampling trick that makes your drums sound like they were stolen from a dusty record, plus a breakdown from Datskie on writing melodies that resolve right. Fire up your DAW—there’s a gritty Wavetable lead and a bass chain that twists that you can dial in fast.

◢ learn

▶ Sampling Kicks from Records (The Non‑Obvious Way)

Sampling a kick from vinyl or a track and splitting it into three bands in Ableton’s Multiband Dynamics, then bouncing and resampling one consolidated hit. Teaches a resampling workflow that gives you control over the low/mid/high balance and can make a kick punch harder than a one-shot sample.

▶ A Gritty Techno Lead in Ableton Wavetable

Build a raw lead with detuned saws, a low‑pass filter modulated by the amp envelope, and a touch of OTT. The 60 ms glide adds that pitch‑slipping character between notes without sounding sloppy.

▶ The Distortion‑First Bass Chain

Put distortion before a moving filter to generate harmonics that the filter can chew on, and use a Pitch Shaper at the very start of the chain to blend in an octave layer for extra thickness.

▶ Datskie’s Melodic House Workflow (Colorize)

Start melodies on the 3rd instead of the root for a more satisfying resolution, keep your sub rock‑steady, and distort before cutting lows for harmonically richer bass. Also covers layering claps with parallel compression to fatten transients.

♫ In Rotation
 
Silicone Soul — Right On! - 12” Disco Edit
— LarryLuxe's pick
🎵 track of the day

Bicep — Glue

the throbbing bass arpeggio that locks in at 1:17 and never lets go · pairs with Datskie’s tip on steady sub layers

🏛 Blast from the Past
 
Korg M1 Organ 2 preset · early‑mid '90s
That low‑mid organ stab is the backbone of an entire era of vocal house. It still cuts through a mix with zero EQ, and layering one under your kick takes a track from digital to dusty in seconds.
  • synth: Korg M1 ‘Organ 2’ — The ‘Organ 2’ waveform, played an octave or two down, became the instant‑bounce bass-and‑stab engine behind a generation of club records. No other workstation preset has done more for house.
  • artist: StoneBridge — Stone’s 1993 remix turned Robin S into a global anthem by locking that M1 organ bass to a no‑nonsense kick and an unshakeable vocal hook—proof that one well‑chosen preset can carry a song.
  • label: Champion Records — Champion pressed the 12″ that took a New York club remix and pushed it into UK pop crossover territory, cementing the organ‑driven US garage sound on the charts.

🔮 Producer Horoscope (for fun) — Your snare will sound too thin; try a parallel bus with saturation and room tone. Nobody needs to know it’s not a real mic.

Now go make something that bangs.

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covered in this issue: ableton wavetable